List five production job roles

                                    Production job roles 
Actor:  An actor communicates a character or situations to an audience through speech, body language and movement. This usually involves interpreting the work of a writer under the instruction and support of a director, although some work may require the actor to devise a character or improvise the reactions of a character to a situation.
Actors mostly work with directors and cast members on film, theatre, commercial etc, Actors have to audition for casting roles. You’ll usually need to spend time on a training course at a university or drama school. You could take a diploma, foundation degree, degree or postgraduate diploma in drama, or a relevant subject like:
  • contemporary theatre and performance
  • performance studies
  • acting
  • musical theatre
For experience, they need to try and put themselves in different film projector auditions for different acting roles or do work experience in the theatre, for example, working at the front house and serving customers.

 AgentsA business with agents that negotiate deals for clients
Agents are responsiable to  represent actors, television presenters, authors, scriptwriters, directors, producers, musicians, voice-over artists, singers, models and other professionals in the entertainment industry.
Essentially, talent agents use their knowledge and network of contacts to promote the talented people on their client roster to different film studios, record labels, production companies, theatre companies and other organisations in the entertainment industry. They also negotiate financial deals and contract terms on behalf of their clients.Agents put in the legwork to make things happen: arranging auditions, submitting headshots, show reels, demos, comp cards and portfolios, and generally spending time on the phone and attending meetings to strike deals and promote their clients to potential employers.  

There are no specific academic requirements for entry into this industry. However, it may help if you have an undergraduate degree in a relevant subject such as PR, marketing, business studies, management studies, law, performing arts or economics.Artist representation and management is full of confident people who have a mastery of communication in all forms. If you can understand the needs of your clients and you have top notch communication skills you will be in a great position to go far in this line of work.
  • business management
  • accounting and administration
  • media or performing arts, particularly if you are applying to work in a larger agency
  • public relations
  • organising and promoting events
Camera assistant:The role of the Assistant Camera , previously know as the Focus Puller and is one of the most skilled jobs on a film crew. 1st ACs are responsible for focusing and refocusing the camera lens as Actors move within the frame of each shot.
Camera assistants are members of technical teams that produce feature films, television programs, and Internet videos. These professionals prepare the equipment that camera operators use to shoot scenes or images. Being a camera assistant is a good way to improve work skills and gain practical experience in preparation for a career as a camera operator. Some postsecondary training is generally required, though a bachelor's degree is recommended for those who want to advance.
Camera assistants set up and position the camera equipment so that it is ready for the camera operator to use. This may include inspecting the equipment to verify that it is in good working order and loading the camera with film. Camera assistants may also position lighting equipment in preparation for shoots. Once the shoot is complete, assistants may then move equipment back to storage areas.

Boom operation:The principal responsibility of the boom operator is microphone placement, usually using a boom pole (or "fishpole") with a microphone attached to the end (called aboom mic), their aim being to hold the microphone as close to the actors possible.
Boom Operators assist the Production Sound Mixer and operate the boommicrophone. This is either hand-held on a long arm or dolly mounted (on a moving platform). Boom Operators are also responsible for all the sound equipment, ensuring that it is in good working order, and carrying out minor repairs where necessary.
Boom Operators begin work on the first day of principal photography. They have to read the script and familiarise themselves with the characters and their lines of dialogue. Members of the Sound Department arrive half-an-hour before call time, in order to unload and set up all the sound equipment.You need to get experience, paid or voluntary, in film, television, community media, the music industry or even hospital radio. You might start your career in a Facilities House, learning about sound equipment. You can then progress to Sound Trainee and Sound Assistant. If you can work with a Production Sound Mixer, you might get the chance to operate a boom.


Director (TV):Directors are responsible for the look and sound of a production and its technical standards. They work closely with Producers and/or Writers, enhancing, refining and realising original ideas into finished programmes. They are responsible for ensuring that the final programme is faithful to the original concept.
The Directing & Producing Television Entertainment course is the only one of its kind in the world. It is recognised for its high standards and its ability to fast-track students into the Television Entertainment Industry.
Before the shoot, the Firsts' main task is to create the filming schedule, working in careful consultation with the Director.  When drawing up the shooting schedule, First ADs must also be aware of the budget, cast availability and script coverage.First ADs' main responsibility is to keep filming on schedule by driving it forward, so they make announcements and give directions to co-ordinate the cast and crew.  They also control discipline on the set, supervise the other Assistant Directors and oversee the preparation of the daily 'call sheet' (a document with daily shooting logistics, distributed to all cast and crew). 
  • excellent organisational and planning skills
  • the ability to make decisions quickly
  • leadership and motivational skills

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